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Envisioned by a diverse group of artists, activists, philanthropists and Harlem residents, The Studio Museum in Harlem opens in a 8,700-square foot loft space at 2033 Fifth Avenue, just north of 125th Street.
Charles Inniss (L, with Tom Lloyd in a September 15, 1968 New York Times article) is the Museum's first director.
Tom Lloyd: Electronic Refractions is the inaugural exhibition at The Studio Museum in Harlem.
(L-R) Eleanor Holmes Norton, Carter Burden, Charles E. Inniss, Campbell Wylly, Betty Blayton-Taylor, and Frank Donnelly at The Studio Museum in Harlem on opening night.
Harlem Artists '69
Harlem Artists '69 the culminating exhibition of the Museum's first exhibition season.
Edward S. Spriggs
Edward S. Spriggs is named Director.
Courtney Callender is named Director.
Mary Schmidt Campbell
Mary Schmidt Campbell is named Director, and oversees a search for a larger museum space that would accommodate expanded exhibitions, programming and storage space.
Ritual and Myth
Ritual and Myth: A Survey of African-American Art assembles over seventy works by forty-five artists, spanning African art to contemporary installation. It is the first exhibition in the Museum's new building.
On June 15, 1982, the Studio Museum opens in its new home at 144 West 125th Street., the former New York Bank for Savings renovated by J. Max Bond, Jr.
Tradition and Conflict
Tradition and Conflict: Images of a Turbulent Decade 1963-1973 displays the work of artists who grappled with the Civil Rights Movement and its immediate aftermath.
The Museum begins excavation of an adjacent vacant lot at 142 West 125th Street, leased from the City of New York
Kinshasha Holman Conwill
Kinshasha Holman Conwill is named Director.
The Decade Show
The Decade Show: Frameworks of Identity in the 1980s, a landmark collaboration with the New Museum for Contemporary Art and Museum of Contemporary Hispanic Art, displays art of the "identity politics" era.
25 Years of African-American Art
The Studio Museum in Harlem: 25 Years of African-American Art, a permanent collection exhibition, celebrates the twenty-fifth anniversary of the Museum and travels to over ten museums around the country.
Exploration in The City of Lights
Explorations in the City of Light: African-American Artists in Paris 1945-1965 explores the relationship of African-American artists to Paris as a modernist cultural center in the mid-twentieth century.
To Conserve a Legacy
To Conserve a Legacy: American Art from Historically Black Colleges and Universities displays 19th and 20th century American art from HBCU collections. It is co-organized with the Addison Gallery of American Art, Andover, MA, in association with Clark Atlanta University, Fisk University, Hampton University, Howard University, North Carolina Central University, and Tuskegee University.
Lowery Stokes Sims
Lowery Stokes Sims becomes Director, with Thelma Golden as Deputy Director for Exhibitions and Programs.
Expanding the Walls
Expanding the Walls, an annual program for local teenagers to learn the techniques and history of photography and engage the James VanDerZee archive, begins.
Freestyle, the first of the "F-Show" exhibitions showcasing young, emerging artists of African descent, opens, curated by Thelma Golden with Christine Y. Kim.
Lobby and Gift Shop Upgrade
Lobby and gift shop upgrade completed.
Black Romantic: The Figurative Impulse in Contemporary African-American Art displays work focusing on the prevalence of the figure in work by African-American artists.
Challenge of the Modern
Challenge of the Modern: African-American Artists 1925-1945 presents African-American artists and the legacies of Modernism.
Thelma Golden is named Director and Chief Curator.
Frequency, the second exhibition in the Museum's series committed to young emerging artists, is mounted in the museum space.
The Museum adds David Hammons's Untitled (2004) to the outside of the museum building, where it has become a signature and recognizable part of the Museum’s identity in Harlem.
Studio magazine is launched, which will go on to be recognized as a leader in museum magazine innovation.
Energy/Experimentation: Black Artists and Abstraction 1964-1980 presents a focused group of African-American artists working in abstraction in the twentieth-century, additionally exploring the relationship between politics and abstraction.
Musician and jazz impresario George Wein founds the Joyce Alexander Wein Artist Prize to honor his late wife, a long-time Trustee of the Studio Museum. The annual $50,000 award recognizes and honors the artistic achievements of an African-American artist who demonstrates great innovation, promise and creativity.
Flow, the third exhibition in the Museum’s series committed to young emerging artists, is mounted in the museum space.
A Decade of Harlem Postcards
Harlem Postcards commissions artists to photograph Harlem, and turns their unique depictions of the neighborhood into free, limited-edition postcards. Begun in 2002, the project was created to provide alternative, multifaceted views of Harlem, representing its complex and diverse history, and capturing the community in a critical moment of growth and change.
Fore, the fourth exhibition in the Museum's series committed to young emerging artists, is mounted in the museum space.
American Alliance of Museums Museum Publication Award
Studio magazine wins first prize in the 2015 AAM Museum Publications Design Competition in the Magazines/Scholarly Journals category.
Announcement of New Building Project
The Museum announces plans for a new home on Manhattan’s West 125th Street, replacing its current facility with a structure designed expressly for its program by architect David Adjaye. The new building, designed by Adjaye Associates, with Cooper Robertson as executive architects and program planning consultants, will enable the Studio Museum to better serve its growing and diverse audiences.
The Studio Museum in Harlem and the Frances Young Tang Teaching Museum and Art Gallery at Skidmore present an exhibition featuring works from every period in painter Alma Thomas’s career, including rarely exhibited watercolors and early abstractions, as well as her signature canvases drawn from a variety of private and public collections.
The Museum begins a new set of initiatives designed to explore dynamic ways to work in the community and take the institution beyond its walls with four public art installations in Harlem’s Historic Parks. inHarlem encompasses a wide range of artistic and programmatic ventures, from site-specific artists’ projects to collaborative presentations with civic and cultural partners in the Harlem neighborhood.
Fictions, the fifth exhibition in the Museum's series committed to young emerging artists, is mounted in the museum space.
Programming Throughout Harlem
The Museum closes its building to begin preparation for construction, shifting programming to partner sites throughout Harlem and beyond.